![]() ![]() ![]() This captivating account-lavishly illustrated with rarely reproduced objects-recovers the critical significance of the eighteenth-century cult of ruins and of Robert’s art for our times. The paintings are examined as expressions of the pleasures and perils of a risk economy. ![]() ![]() Drawing on a vast range of materials, Futures & Ruins understands these artworks as harbingers of a modern appetite for destruction. Powered by TradingView Legend N News E Economic. Dubin, Futures and Ruins: Eighteenth-Century Paris and the Art of Hubert. Live Futures Chart Popular Forex Indices Stocks Futures Cryptocurrency Add to Watchlist Sign In / Free Sign Up now to save your chart settings. At the center of this lively narrative lie Robert’s depictions of the ruins of Paris-macabre and spectacular paintings of fires and demolitions created on the eve of the French Revolution. Joseph Michael Gandy, Soanes Bank of England as a Ruin, 1830. As the favored artist of an enterprising Parisian elite, Robert is a prophetic case study of the intersections between aesthetics and modernity’s dawning business culture. Nina Dubins study has compiled an impressive array of contemporary. In this timely and provocative study, Hubert Robert’s paintings of urban ruins are interpreted as manifestations of a new consciousness of time, one shaped by the uncertainties of an economy characterized by the dread-inducing expansion of credit, frenzied speculation on the stock exchange, and bold ventures in real estate. Dubin, Futures and Ruins: Eighteenth-Century Paris and the Art of Hubert. ![]()
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